Let's delve into the fascinating journey of August Wilson's play 'Jitney' as it makes its way to Pittsburgh, but this time with a twist - an Italian-language production. This unique adaptation raises intriguing questions about cultural translation and the universal appeal of Wilson's work.
The Italian Jitney
Imagine a world where the word 'jitney' doesn't exist. That's the challenge faced by the creative team behind this Italian production. Despite the linguistic hurdle, 'Jitney' has become the first of Wilson's plays to be translated into Italian, showcasing the playwright's international reach.
The story of how this production came to be is almost serendipitous. Italian filmmaker Renzo Carbonera, while visiting Pittsburgh, was introduced to Wilson's work by a local driver. This chance encounter sparked a passion project, leading to the creation of Italy's first all-Black stage production - a translated version of 'Jitney'.
A Cultural Bridge
What makes this production particularly fascinating is its attempt to honor the spirit of the original while adapting it to an Italian context. The translation, by Angela Soldà, doesn't replicate Wilson's unique brand of Black American English, but instead infuses the dialogue with Italian slang, creating a distinct flavor.
Personally, I think this is a brilliant approach. It respects the source material while making it accessible and relatable to Italian audiences. It's a delicate balance, and one that I believe adds a layer of depth to the performance.
A New Visual Language
But the translation isn't the only aspect that sets this production apart. The visual aesthetic has also been reimagined. Instead of the naturalistic sets often associated with Wilson's plays, Carbonera has opted for a minimalist, stylized approach, using black and gold - Pittsburgh's colors - as a central theme.
This departure from the traditional is a bold move, and one that I believe can enhance the audience's experience. It adds a layer of abstraction, allowing the focus to remain on the powerful themes and storytelling.
The Black Experience, Transcending Borders
Wilson's plays, particularly those set in the Hill District, are deeply rooted in the Black American experience. However, the themes they explore - fathers and sons, love, jealousy, and the workplace - are universal.
In Italy, the Black experience is vastly different. Black Italians are a small minority, mostly immigrants or children of immigrants. Miguel Gobbo Diaz, who plays the central role of Becker, highlights the absence of a direct Italian analogue to Black American culture.
Despite these differences, the Italian 'Jitney' doesn't aim to replicate the American experience. Instead, it offers a unique perspective, a bridge between cultures. As Gobbo Diaz puts it, "We bring our kind of culture, and we try to do 'Jitney' in our way, as Italian Black actors."
A Modern Classic
The success of this translation could have far-reaching implications. As Terrence Spivey suggests, it could solidify Wilson's place as a modern classic, on par with the likes of Arthur Miller.
This Italian production of 'Jitney' is a testament to the power of art to transcend linguistic and cultural barriers. It's a reminder that great storytelling can resonate with audiences worldwide, offering new perspectives and fostering understanding.
